Preacher is a comic book series created by writer Garth Ennis and artist Steve Dillon, published by the American comic book label Vertigo imprint of DC, with painted covers by Glenn Fabry.
The series consists of 75 issues in total — 66 regular, monthly issues, five one-shot specials and a four-issue Saint of Killers limited series. The entire run has been collected in nine trade paperback editions. The final monthly issue, number 66, was published in July 2000. Preacher tells the story of Jesse Custer, a down-and-out preacher in the small Texas town of Annville. Custer was accidentally possessed by the supernatural creature named Genesis in an incident which killed his entire congregation and flattened his church.
Genesis, the product of the unauthorized, unnatural coupling of an angel and a demon, is an infant with no sense of individual will. However, as it is composed of both pure goodness and pure evil, it might have enough power to rival that of God himself. In other words, Jesse Custer, bonded to Genesis, may have become the most powerful being in the whole of living existence.
Custer, driven by a strong sense of right and wrong, goes on a journey across the United States attempting to (literally) find God, who abandoned Heaven the moment Genesis was born. He also begins to discover the truth about his new powers, which allow him to command the obedience of those who hear his words. He is joined by his old girlfriend Tulip O'Hare, as well as a hard-drinking Irish vampire named Cassidy.
During the course of their journeys, the three encounter enemies and obstacles both sacred and profane, including: the Saint of Killers, an invincible, quick-drawing, perfect-aiming, come-lately Angel of Death answering only to "He who sits on the throne"; a serial-killer called the 'Reaver-Cleaver'; The Grail, a secret organization controlling the governments of the world and protecting the bloodline of Jesus; Herr Starr, ostensible Allfather of the Grail, a megalomaniac with a penchant for prostitutes, who wishes to use Custer for his own ends; several fallen angels; and Jesse's own redneck 'family' — particularly his nasty Cajun grandmother, her mighty bodyguard Jody, and the 'animal-loving' T.C.
Preacher focuses on narrative storytelling and characterization. It drew considerable praise (and protest) for its unapologetic handling of religious and supernatural themes, its dark and frequently violent humor, and its wide range of allusions to popular culture outside of comic books.
In particular, Preacher draws on movies, particularly western movies, for many of its stylistic elements. For example: an apparition of John Wayne is a recurring character and serves as a sort of spiritual guide or conscience for Custer; Monument Valley and The Alamo serve as backdrops to various legs of the journey; for a time, Jesse acts as the sheriff of a small town in Texas, and must protect the inhabitants from harm; the image of the Saint of Killers, a reformed outlaw-turned-evil-once-more in the tradition of Clint Eastwood's Unforgiven character, William Munny, is a nod to the classic Western notion of nemesis, straight and true and terrible.
The series also invokes ideas popularized by such books as Holy Blood, Holy Grail. Like Holy Blood, Holy Grail, Preacher claims that there is a still-viable bloodline descending from Jesus Christ and Mary Magdalene. Herr Starr reveals to Cassidy that Jesus had children, and did not die on the cross, but instead lived to middle-age, and was killed by a runaway dung cart. After his death the Grail guardians took away his offspring, who were forced to intermarry with one another in order to keep Jesus' divine power within the bloodline. For over 2000 years this intermarrying perpetuated an incestuous family tree culminating with the mentally handicapped descendants of Jesus having a child, during the birth of whom the mother dies, effectively producing the last generation of the Jesus' line.
The original plot and assumptions of Preacher was spun out of Ennis' run on Hellblazer: what would happen if an angel and a demon mates and the spirit of their offspring ends up in a mortal man? Like many comics spun out of DC's 70s work, it incorporates the idea of the Christian God (Jahve) as the creator who has left his creation. Other related comics include Swamp Thing and Sandman (and its spinoffs, like Lucifer).
In the beginning of the narrative, told in retrospect in the first issue of Preacher, Jesse Custer is a vicar of dubious nature, just about to address the members of his parish after a night of heavy drinking and with many enemies in the audience. This opening scene is identical to the famous opening of Selma Lagerlöf's novel Gösta Berling's Saga.
Additionally, the series examines the role of American identity and ideals in the modern age. This extends beyond the personal level, where old-fashioned western "Cowboy" ethics and attitudes meet modern feminism, to the collective level, where the traumas of the Vietnam War, corporate excess and the cyclical nature of violence, among other things, are explored. The conflict between liberal and conservative politics is also examined, as are depression, repression, sexuality, pornography, drug use, homelessness and immigration.
A symbolic presence is that of Arseface, a teenager who attempted to imitate the suicide of rock star Kurt Cobain by shooting himself in the face with a shotgun. He survived the suicide attempt, and after many attempts at reconstructive plastic surgery ended up as a 'fella with a face like an arse'. (In the later issues, Arseface goes through a sped-up cycle of American fame: underground sensation to popular star to lawsuit bait and target of censorship. In the end, his manager takes all his money.)
Aunque el libro de Gleen Fabry esta en ingles, al ser una coleccion de covers (tapas) de comics,el porcentaje de lectura es muy bajo por lo tanto se considera casi como lectura sin dialogos.
Link: Preacher : Dead Or Alive - Covers By Glenn Fabry - Full (English)
The series consists of 75 issues in total — 66 regular, monthly issues, five one-shot specials and a four-issue Saint of Killers limited series. The entire run has been collected in nine trade paperback editions. The final monthly issue, number 66, was published in July 2000. Preacher tells the story of Jesse Custer, a down-and-out preacher in the small Texas town of Annville. Custer was accidentally possessed by the supernatural creature named Genesis in an incident which killed his entire congregation and flattened his church.
Genesis, the product of the unauthorized, unnatural coupling of an angel and a demon, is an infant with no sense of individual will. However, as it is composed of both pure goodness and pure evil, it might have enough power to rival that of God himself. In other words, Jesse Custer, bonded to Genesis, may have become the most powerful being in the whole of living existence.
Custer, driven by a strong sense of right and wrong, goes on a journey across the United States attempting to (literally) find God, who abandoned Heaven the moment Genesis was born. He also begins to discover the truth about his new powers, which allow him to command the obedience of those who hear his words. He is joined by his old girlfriend Tulip O'Hare, as well as a hard-drinking Irish vampire named Cassidy.
During the course of their journeys, the three encounter enemies and obstacles both sacred and profane, including: the Saint of Killers, an invincible, quick-drawing, perfect-aiming, come-lately Angel of Death answering only to "He who sits on the throne"; a serial-killer called the 'Reaver-Cleaver'; The Grail, a secret organization controlling the governments of the world and protecting the bloodline of Jesus; Herr Starr, ostensible Allfather of the Grail, a megalomaniac with a penchant for prostitutes, who wishes to use Custer for his own ends; several fallen angels; and Jesse's own redneck 'family' — particularly his nasty Cajun grandmother, her mighty bodyguard Jody, and the 'animal-loving' T.C.
Preacher focuses on narrative storytelling and characterization. It drew considerable praise (and protest) for its unapologetic handling of religious and supernatural themes, its dark and frequently violent humor, and its wide range of allusions to popular culture outside of comic books.
In particular, Preacher draws on movies, particularly western movies, for many of its stylistic elements. For example: an apparition of John Wayne is a recurring character and serves as a sort of spiritual guide or conscience for Custer; Monument Valley and The Alamo serve as backdrops to various legs of the journey; for a time, Jesse acts as the sheriff of a small town in Texas, and must protect the inhabitants from harm; the image of the Saint of Killers, a reformed outlaw-turned-evil-once-more in the tradition of Clint Eastwood's Unforgiven character, William Munny, is a nod to the classic Western notion of nemesis, straight and true and terrible.
The series also invokes ideas popularized by such books as Holy Blood, Holy Grail. Like Holy Blood, Holy Grail, Preacher claims that there is a still-viable bloodline descending from Jesus Christ and Mary Magdalene. Herr Starr reveals to Cassidy that Jesus had children, and did not die on the cross, but instead lived to middle-age, and was killed by a runaway dung cart. After his death the Grail guardians took away his offspring, who were forced to intermarry with one another in order to keep Jesus' divine power within the bloodline. For over 2000 years this intermarrying perpetuated an incestuous family tree culminating with the mentally handicapped descendants of Jesus having a child, during the birth of whom the mother dies, effectively producing the last generation of the Jesus' line.
The original plot and assumptions of Preacher was spun out of Ennis' run on Hellblazer: what would happen if an angel and a demon mates and the spirit of their offspring ends up in a mortal man? Like many comics spun out of DC's 70s work, it incorporates the idea of the Christian God (Jahve) as the creator who has left his creation. Other related comics include Swamp Thing and Sandman (and its spinoffs, like Lucifer).
In the beginning of the narrative, told in retrospect in the first issue of Preacher, Jesse Custer is a vicar of dubious nature, just about to address the members of his parish after a night of heavy drinking and with many enemies in the audience. This opening scene is identical to the famous opening of Selma Lagerlöf's novel Gösta Berling's Saga.
Additionally, the series examines the role of American identity and ideals in the modern age. This extends beyond the personal level, where old-fashioned western "Cowboy" ethics and attitudes meet modern feminism, to the collective level, where the traumas of the Vietnam War, corporate excess and the cyclical nature of violence, among other things, are explored. The conflict between liberal and conservative politics is also examined, as are depression, repression, sexuality, pornography, drug use, homelessness and immigration.
A symbolic presence is that of Arseface, a teenager who attempted to imitate the suicide of rock star Kurt Cobain by shooting himself in the face with a shotgun. He survived the suicide attempt, and after many attempts at reconstructive plastic surgery ended up as a 'fella with a face like an arse'. (In the later issues, Arseface goes through a sped-up cycle of American fame: underground sensation to popular star to lawsuit bait and target of censorship. In the end, his manager takes all his money.)
Aunque el libro de Gleen Fabry esta en ingles, al ser una coleccion de covers (tapas) de comics,el porcentaje de lectura es muy bajo por lo tanto se considera casi como lectura sin dialogos.
Link: Preacher : Dead Or Alive - Covers By Glenn Fabry - Full (English)